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Adobe Substance 3D Digital Twin

Adobe Substance 3D
Digital Twin

Client: Adobe

Client: Adobe

Direction, Design & Animation: Sebastian Marek

Direction, Design & Animation:
Sebastian Marek

Music & SFX: Giovanni Dubini

Music & SFX: Giovanni Dubini

My ongoing creative journey with Adobe explores how 3D, digital twins and AI-generated backgrounds expand the limits of traditional product visualization.

Last year, the Substance 3D team invited me back to showcase a complete production process built around these technologies. The resulting animation illustrates how such an approach streamlines work and accelerates the path to high-fidelity imagery.

My ongoing creative journey with Adobe explores how 3D, digital twins and AI-generated backgrounds expand the limits of traditional product visualization.

Last year, the Substance 3D team invited me back to showcase a complete production process built around these technologies. The resulting animation illustrates how such an approach streamlines work and accelerates the path to high-fidelity imagery.

The opening highlights the core advantages of this workflow: efficiency, speed and scalability.

We are drawn into a photo studio, where professional gear and softboxes set the stage for these benefits to come to life. At the center, a laptop unfolds to reveal an identical virtual environment, a visual metaphor for the digital twin concept.

The opening highlights the core advantages of this workflow: efficiency, speed and scalability.

We are drawn into a photo studio, where professional gear and softboxes set the stage for these benefits to come to life. At the center, a laptop unfolds to reveal an identical virtual environment, a visual metaphor for the digital twin concept.

Interior

Above the pedestal, abstract forms shift and solidify into a 3D model. This sequence emphasizes the power of a digital workflow, enabling photorealistic results without the need for a physical prototype.

Material spheres orbit the product to apply lifelike textures, leading to a display of multiple variants. It proves how effortlessly a single asset can scale into complex finishes and diverse product lines.

Above the pedestal, abstract forms shift and solidify into a 3D model. This sequence emphasizes the power of a digital workflow, enabling photorealistic results without the need for a physical prototype.

Material spheres orbit the product to apply lifelike textures, leading to a display of multiple variants. It proves how effortlessly a single asset can scale into complex finishes and diverse product lines.

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With the model finalized, a simple text prompt transforms the environment in real time. This stage highlights the ease of placing products into diverse, AI-generated scenes that harmoniously match the original lighting and perspective.

With the model finalized, a simple text prompt transforms the environment in real time. This stage highlights the ease of placing products into diverse, AI-generated scenes that harmoniously match the original lighting and perspective.

As the camera pulls back to reveal the full monitor, a dynamic sequence overlays the screen with various formats and environments. This final transition confirms the workflow’s versatility, delivering a complete library of marketing-ready assets from a single 3D master.

As the camera pulls back to reveal the full monitor, a dynamic sequence overlays the screen with various formats and environments. This final transition confirms the workflow’s versatility, delivering a complete library of marketing-ready assets from a single 3D master.

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Process video

Process video

A breakdown of the 3D craftsmanship and AI workflows behind this production.

A breakdown of the 3D craftsmanship and AI workflows behind this production.

Contact

Contact

Whether you want to work with me or would like to say hello, send me a message: contact@sebastianmarek.com

Whether you want to work with me or would like to say hello, send me a message: contact@sebastianmarek.com

© 2026 Sebastian Marek

© 2026 Sebastian Marek